50min | Western | 17 October 1915 (USA) Jim Houston, the "Shootin' Iron" Parson, comes to Barren Gulch to reform the morals of the frontier community. It’s the universal story of a youth who aims for the stars and finds himself with his feet tied to earth — and maybe that’s not a bad thing. Meanwhile, Sharad also sells the rare CDs of obscure Hindustani musicians. | Do Not Sell My Personal Information Chaitanya Tamhane’s The Disciple becomes first Indian film since 1996 to play in main slate of the New York Film Festival Sep 29, 2020 - 4:17 pm IST In return he receives strict instruction and harsh criticism, but also a legacy of teaching from a legendary female vocalist named Maai, who taught his guru. Saint Peter - Wikipedia. Chaitanya Tamhane’s The Disciple, which became the first Indian movie to land a Venice Film Festival competition slot since 2001’s Golden Lion … Download The Disciple (2020) – Bollywood Movie. The ending, clever and ambiguous at the same time, comes out of the blue and leaves the audience thinking. The Disciple Program movie is currently in Development . Executive producer: Alfonso Cuaron © 2021 The Hollywood Reporter, LLC. Sharad Nerulkar has devoted his life to becoming an Indian classical music vocalist, diligently following the traditions and discipline of old masters, his guru, and his father. EMAIL ME. The Disciple makes a nuanced distinction between subject and the story; the film is not on Indian classical music per se, but rather the visceral world that the disciple occupies. The movie received rave reviews from the critics at the carnival. Chaitanya Tamhane won the newly instituted Amplify Voices Award at the recently concluded Toronto International Film Festival (TIFF) 2020. The scenario won the best screenplay award at the Venice Film Festival. Directed by Chaitanya Tamhane. Film is his melancholic story of stagnant life as opposed to — rapidly growing Mumbai city in backdrop. But it is in his moments of weakness and disgust with the ever-degrading musical standards around him that he makes contact with the character. The Maai character reminded me of the exposition of Kishori Amonkar on the very essence of a note in music as she spoke to Amol Palekar in Bhinna Shajda (2011). This movie is beautifully directed with on the spot set pieces and full of Indian classical music. With just two feature films under his belt, Mumbai director and playwright Chaitanya Tamhane has emerged as one of the new stars of Indian art house cinema thanks to a piercing camera that dissects the social and psychological layers of his characters. The Disciple tells the story of a Indian classical vocalist who wants to perfect his skills after hearing past stories from his father and his music guru, about the legends in their field. Chaitanya Tamhane recently returned to India with a win from Venice for his 2020 feature film, The Disciple, which premiered at the prestigious Italian film festival. Cast: Aditya Modak, Arun Dravid, Sumitra Bhave, Kiran Yadnyopavit Soon after this, Sharad is introduced to a famous music critic, who arrogantly shoots down his master and even casts vulgar aspersions on Maai. Here, I see the influence and gains from the Rolex Mentor and Protégé Arts Initiative programme which allowed Tamhane to collaborate with the Mexican filmmaker and Academy Award winner Alfonso Cuarón. 128 minutes Aneesh Pradhan retains the musicality as the intricacies of the Khayal performed is attuned to the laya (rhythm) of the film. While, silence as the leitmotif breathes life into the language of Khayal, building the ambience of the cultural milieu of extreme reverence and submission, as it eloquently brings forth the tenebrific tone of the film. The tension foregrounds the lugubrious brooding of Sharad. Posted: (3 days ago) Peter's life story is told in the four canonical gospels, the Acts of the Apostles, New Testament letters, the non-canonical Gospel of the Hebrews and other Early Church accounts of his life and death. No matter how long and hard he practices, he seems terribly far behind his master, and much of the film’s suspense is seeing whether he will ever catch up. Producer: Vivek Gomber I hope unlike his protagonist, Tamhane retains his rigour and practice in sustaining the depth of being an artist in a metropolis. To address the issue of diversity, the Amplify Voices Awards are presented to the three best festival feature films by underrepresented filmmakers from the Official Selection. FACEBOOK The Disciple, which won Best Screenplay as well as the Fipresci critics’ prize at the 2020 Venice Film Festival, is the new film from writer-director Chaitanya Tamhane. The portrayal of his riyaaz is not pegged as pure schmaltz but an engagement with life as he fights the pornography of desires on his way to find his true self. And to embark on that quest, you will have to surrender and sacrifice.”. Narendra Pachkhédé is a critic and writer who splits his time between Toronto, London and Geneva. The Disciple has not yet been released in India. The Disciple echoes its rigor and determination in exploring the struggles of an aspiring young singer, albeit at its own slow and thorough pace. In so doing, Father Mike has run directly into conflict with the local Catholic hierarchy. Stories about those who chase mastery of their craft are tricky to get right. Captivatingly told, The Disciple evokes memories of Shyam Benegal’s Unusual Concerts about Malikarjun Mansur. The film explores issues of racism, the power of the media, and the tension between Pfleger's 'gospel of the streets' versus traditional Church theology. As film theorist André Bazin argued, long takes offer a notion of continuity, thus ‘attributing certain duration to the concept of time’. Although as an actor Modak has a range of expression that hovers around worried or irritated, there is often a look of deep belief in his eyes, and you can feel his musical understanding is authentic. Privacy Policy | The tension within the protagonist continues to be built till a staid Sharad has an encounter with a music critic who rips off the almost-sacred image built around Guruji and Maai. World sales: New Europe Film Sales (North America: Endeavor Content) The music is so tastefully presented that, even if you are not familiar with it, it sucks you in with its atmosphere and carries over the whole movie. In the development of his cinematic syntax, one can see his work in the mould of the Greek master Theo Angelopoulos. Not as compulsively watchable as its predecessor, the story suffers mainly from the unfamiliarity (in the West) of Indian classical music, which is likely to somewhat cool its appeal for non-Indian audiences. 'The Disciple' is a movie about a journey of an artist and how it pans out over the years. In a year that’s been low-key for movies due to the coronavirus pandemic and related curbs, The Disciple is the only Indian selection at the Toronto International Film Festival (TIFF) in Canada. Chaitanya Tamhane's masterfully composed second feature examines a lifetime journey devoted to the art of Indian classical music. Watching The Disciple was such a soothing experience. Director, screenwriter, editor: Chaitanya Tamhane The story set in 2006 is about Sharad a 24-year-old aspiring singer, who is preparing for a “Young Performer” competition as a Khayal vocalist. His writing envelopes the viewer into the quotidian experiences of Hindustani sangeet of the Marathi milieu in Mumbai. With sparseness, not minimalism, Tamhane remains considerably unhurried in his approach, keeping an amazing pace in conjunction with the music sung—slow, meditative and melancholic—as the rendering of ‘Jhannana bichuwa baje’ in raga jaunpuri in the opening sequence shows. There are two other defining characters— the city and silence. One can notice the subconscious traces of these legendary filmmakers in the elfin beauty of Sobocinski ’s work that captures the pervasive desolateness of the city and the protagonist, best seen in the sepia portraiture of Sharad driving his motorcycle on the empty street of his promised path; a recurring sequence in the film. "It is a love story and I don''t get to play things like that. Each winner received a cash prize of $10,000, made possible by Canada Goose. The film’s bow in Venice competition before it heads to Toronto and New York should assure it of a wide swathe of international audiences. With Aditya Modak, Arun Dravid, Sumitra Bhave, Deepika Bhide Bhagwat. The Disciple is by no means a work that has a look of disapproval of modernity but suggesting to be the vanguard of the millennials coping with their problems in finding a firm footing in a world changed beyond recognition. Mumbai, stripped-off its masses, laid bare, is a devious one which closes on the protagonist. This comedy event that tells the story of the dreadful year that was – and perhaps still is? In a galvanising act, Sharad exits the stage abruptly, abandoning his performance. It unravels the tale of a Sharad Nerulakar, a vocalist who wants to experience the promise of musical transcendence, but is grappling with his existential woes. With one eye out to winning competitions, the singer-in-training, Sharad (Modak), easily fits into the narrative mold of movies like Whiplash and A Star Is Born as he studies under a fierce disciplinarian and sacrifices his private life to perfect his art. His counterpart is his music teacher, Guruji, essayed by Arun Dravid, a veteran musician and a disciple of Kishori Amonkar. AdChoices He hails from a legendary family of cinematographers in Poland who were associated with the works of Krzysztof Kieslowski and Andrzej Wajda. Set in the insular middle-class Marathi cultural milieu of Mumbai, the film unfolds with the story of a young musician Sharad, the disciple who has been initiated into the rites of Hindustani classical music complete with reverence and idealism. Also Read: ‘The Theme I Explore And The Truth I Strive For Are Personal’: Filmmaker Chaitanya Tamhane. For a young filmmaker in search of a film language, Tamhane has shown an affinity for long-takes, pacing and close-ups. The price of such dedication, on the personal level, is high. Venue: Venice Film Festival (Competition) The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014. All rights reserved. Cuarón recommending Michal Sobocinski as the cinematographer proves how valuable his role has been in this mentoring process. As we hear Maai in the voice over: “There’s a reason Indian classical music is considered an eternal quest. 'The Disciple' looks at the world of classical musicians, the movie follows the story of Sharad Nerulka, who has devoted his life to becoming an Indian classical music vocalist, diligently following the traditions and discipline of old masters, his guru, and his father. Sitemap | His mentoring suffuses every aspect of the production, including Michal Sobocinski’s stylised cinematography, capturing the tranquility of the Khayal; the twilight of solitariness and Naren Chandavarkar’s sound design, which abounds in the whisper of Khayal, compels a collective listening. We see Sharad’s mundane and routine actions, such as flipping television channels or staring blank at the amateur musical contests, juxtaposed with the soberness of his promised path. After a two-year writing process, the screenplay emerged out of the earlier play which Tamhane wrote, The Grey Elephants in Denmark (2008). In Marathi, Hindi, English and Bengali. The Devil's Disciple is a 1959 film adaptation of the George Bernard Shaw play of the same title. With his latest offering, Tamhane succeeds in transporting one into another world in just over two-hours, beautifully capturing the erumpent consciousness of Khayal, a genre of Indian classical music. His father, who was his first voice teacher, failed to reach the heights as a singer, and it comes as a shock to hear someone opine that his knowledge of music surpassed his abilities. Philippe Lacôte ’ s visual style event that tells the story of a man who devotes life... 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